Writing and performing a piece about beauty is not easy, if
only because it becomes so personal. In working through the process of writing,
staging, and performing Currency, I had
to become okay with the fact that what the piece says about other people, and
what the piece says about me, are both equally apparent. The only way to have
the audience experience questions I wanted them to ask was through the medium of
my own explorations and insecurities, and my own physical work, presented on
stage. That was very scary.
A few years ago I happened upon a quote by CS Lewis, in the
novel That Hideous Strength. He writes:
“The beauty of the female is the root of joy to the female as well as to the
male, and it is no accident that the goddess of Love is older and stronger than
the god.” I was captivated by this
quote, mostly because I have felt its truth myself. It was from this line of
thought that I ultimately found the pieces to create Currency. I began to wonder: what if we acknowledged our
limitations, and our preferences in the area of beauty? How would it change the
way we act, towards ourselves and toward others, if we were honest about the
glory and the danger of being instruments that can give and receive pleasure,
simply by being embodied?
In a world of extremes, these are dangerous questions. Like
C.S. Lewis’s Ghost, in the excerpt quoted from The Great Divorce, it is so impossible to see ourselves without
comparison. And perhaps the corruption we experience in this world, right down
to the sex trade itself, can be traced back to the impossible task of seeing
ourselves not through eyes that weigh, and compare, but through eyes made holy
by the grace of God—the grace C.S. Lewis’s Spirit is so tenaciously trying to
offer the shabby female Ghost.
In any case, these are questions we have to ask. Questions I
had to ask, and I ask you to continue asking. Even at the risk of discovery.
~Ruthie
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